Wednesday, September 22, 2010


The only thing I could think of when posting this was, 'It's such a fucking shame I have nothing newer to show with these characters'. Had to DIG just to find this, and it's a shitty old jpeg.

Wildstorm, as I knew it, has been no more for some time now. That said, when the news hit yesterday that it was official, it still greatly saddened me. I grew up there, literally. From 18 years of age until I was 25, that place was my home and the people that worked there, like a second family. So much of who I am and what I do today is wrapped up in those halls. Without getting into maudlin territory, here, I feel like this is the end of a dream I had as a fifteen year old boy. Wildstorm studios, then Homage studios, seemed like the absolute pinnacle of what was going on in comics at the moment back in 92/93, and I desperately wanted to be a part of it. Most of this was thanks to the work that the younger artists were doing there at the time. Aron Weisenfeld, Mike Lopez, and Whilce Portacio were people who were inspiring me greatly and I couldn't imagine what it would be like to work alongside these folks. It seemed like the kind of place that allowed a young artist to grow and experiment, while learning from the best of the best.

It was true and I got my wish...

...well mostly. By the time I made it into the studio in July of 1997, all of those guys where gone. I was the last official intern (as part of the original internship program that spawned other amazing artists like Carlos, D'Anda, J.J. Kirby, Ale Garza, etc.) and things at the studio had already changed dramatically. With the heyday of Image Comics fading into the rear view mirror, the studio had already gone through a major re-structure and I was brought in to do consumer products artwork. Two years later(?) DC bought Wildstorm, and things changed again. I was lucky as hell to have stayed on, and all the sudden it was like the little fishes in the small pond got dumped into the ocean. Super fun, full of cool opportunities, but super stressful as well. The truth of it was, me growing up a DC kid, I REALLY looked forward to playing with some of those major DC characters. Although I LOVED the Wildstorm characters as well, the kid in me wanted badly to draw some Batman. The place evolved even more as the numbers in the offices dwindled and the studio got more sucked into the DC machine.

When I left in 2003, if felt like time. Wildstorm was, for all intents and purposes, my college experience and I was eager to get out on my own. Almost every year around con time, I make it back to La Jolla to hang out with friends so I've been able to see a bit how the studio has morphed even more. It's such a fascinating organism that place, always finding a way to survive and mutate into something that functions. The one thing that never changed, though is that feeling. When you walk in you feel an energy that I've never found in any other studio.

All in all, I got to play around a bit in the Wildstorm pool, and consider myself lucky to have done so. Looking at everything now with a bit of perspective, the thing that resonates with Wildstorm is that it, like it's characters, was VERY much a product of it's time. Although tastes change as well as people, I found myself digging up some of those old books and thinking, 'Damn, the possibilities..' It brought back tons of memories of people and dreams long gone. Sitting in the intern apartment with J.J, Carlos, and Armando looking at Mike Lopez photocopies, going to Jim's Spawn movie premier party and winding up with whip cream all over my clothes (a story for another time), barfing all over the hallway going into Jim's New York apartment, the best store signing ever in Orlando with Jim, Ale, Carlos, Sandra H, sitting with Carlos and Ale arguing 'cartoony or realistic'.... the list goes on and on.

Best Wildstorm memory isn't one event in particular. It was every time I sat down to draw, music blasting, looking out at the ocean and very questionable hotel guests, and loving the idea that I was drawing comics with some cool motherfuckers.


  1. That's a great homage you just wrote. Wildcats used to be my favourite comics back in the 90s and I still go back to those issues with pleasure.
    So many great books. And what a roster of talent!!

  2. Oh wow. I'm really glad I'm reading this today when Wildstorm characters are back in the pages of DC Comics, I'm going to do everything I can to help push love for those characters. Heres hoping you get a phone call to do a couple issues of Stormwatch very soon!!

    Anyhow, it feels like yesterday I was flipping through your sample pages with Grifter/Code Red up on the cars at SDCC. Resident Evil, where you could tell everyone was excited to be drawing comic pages. Then I got the Batman/Deathblow where you really broke out into the style your headlining with today. For some reason your issue of Global Frequency is burned in my brain too. It may have been dwindling around you at Wildstorm, but you really kept the energy going in the pages of the comics.

    The Batman cover you have on the top of this blog is true dedication to your craft today and I agree its safe to say you really hit the pro form goal you set for yourself after Wildstorm.

    July of 1997?!? wow, its been that long...heres hoping we cross paths again in the near future!

    Can't Stop That Pencil,